I find musicians make this last mistake all too often. It’s related to not seeing music as a real job. Musicians set themselves up for disaster when they don’t take their finances and contractual responsibilities seriously. Signing a bad contract has killed the careers of many musicians, and not prioritizing financial literacy even if you’re a DIY artist can be just as dangerous.

You can hear how popular this song really was in Live at the Apollo by listening to how bonkers the crowd goes during that track. But while their faith may have been restored, they still didn’t see Brown as anything more than a single artist, inconsistent at best.

Ready to give it a shot? Tell us about yourself, and we’ll find you the right mentor. If you want to know more, just head over to the Headliners Club info page or feel free get in touch with us via email. Here’s a playlist we’ve created featuring all kinds of music created by our incredible Soundfly Mentor staff!

Grants for music education students

There are two main ways to compose a bass line in today’s hip-hop climate. You can choose a more traditional route by writing and recording a bass guitar or synth bass part, or you can go for a super-low, super-sub bass by using trap-style 808-kick bass lines or other sine wave sounds.

No matter what kind of music you listen to, there’s almost no way that you haven’t come across one of these impact accentuators in today’s electronic-heavy music landscape. Whether it’s a bunch of pitch-altered 808 snares in a trap song or some tuned toms in an ’80s inspired synth-pop track, drum fills are a great way to let the listener know that the chorus is about to hit.

Recently someone posted this performance of the chaconne from J.S. Bach’s Violin Partita No.2 in D minor, BWV 1004 on an 11-string guitar by Moran Wasser.

The attack setting you use for mix buss compression is just as important as using a compressor on any other individual track. With a faster attack, the compressor will clamp down sooner on the transients that tend to be a little louder than the rest of the audio coming through. A slower attack will wait milliseconds before it clamps down on the audio and starts compressing.

Making templates is a helpful way to eliminate wasted time when you’re composing, recording, and mixing. Not only do you want to be ready to work when inspiration hits, but your workflow should continue to be effective as you finish your project or help your clients finish their projects.

Music instrument grants for individuals

We Heart is a blog focusing on art, culture, lifestyle, and traveling. What better way to seek inspiration than to learn about something you’ve never seen before or previously discovered? We all know that the internet has a way of sending us down rabbit holes, and as a songwriter, you should welcome those journeys! Who knows, maybe there’s a story waiting just around the corner to take your songwriting to a whole new level.

Solution: Keep a practice journal and set weekly goals. Budget your practice time in your journal the way you would your finances. Break goals into small chunks and keep a record of how you actually end up spending that time. Make adjustments regularly and cut yourself some slack. Ten minutes of focused practice can be more helpful than two hours of tedious drills, particularly if your mind is elsewhere. Instead of panicking over minutes and hours, focus on what you can achieve in the time you have available.

So whether you’re a musician eager to get some demos recorded at home, a producer looking to make better use of your personal space, or a fully committed DIY home recordist, we definitely have an online course for you. But which one is the right one? Let’s explore the options!

Perfection is objective, and the process of growing and learning is what makes life so beautiful. The world would be so boring if we didn’t need to grow, learn, or change. Don’t be afraid to make some mistakes sometimes.

The piece ends with the same texture we heard at the beginning, natural harmonics produced by sympathetic resonance (2:23). Only a tiny variation in the musical landscape pops up — a new note, D. Although this looks like an anomaly in the construction of the piece, in my opinion this choice makes total sense, considering that this work is a series of 11 pieces, the presence of another note creates a sense of directionality. Instead of the movements feeling like isolated fragments collected together, inserting a new note before this section ends offers a glimpse ahead, and a bit of connective tissue.