What an incredible way to bring together the arts and the sciences. SETI Institute’s Artists in Residence program brings the two together through opportunities that welcome a range of artists whose work exhibits a direct relationship to the scientific interests of SETI Institute research, including those in electronic music, theater and dance, digital arts, and more.

To collect these royalties, songwriters must be registered with a performing rights organization, or “PRO.” These organizations exist to track, collect, and distribute public performance royalties. The U.S. PROs include ASCAP, BMI, and SESAC. In the UK, there’s PRS For Music, France has SACEM, Germany uses GEMA, and so on.

With all of Logic’s inredible instruments, producers often rely on the sound of the samples right out of the box, here’s how to make them more interesting.

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Quick tip: Although some of us still have cars old enough to have tape decks, or keep actual physical radios around to leave on for our dogs while we’re gone (just me?), you’d probably do well to also provide a digital download card so fans can love the nostalgia while being able to listen in the modern age.

In the meantime, Lulu languished, almost complete. Three long stretches of music were fully orchestrated, and the rest clearly sketched by Berg in a manner where completion would require almost no guesswork. The unfinished version had been performed a number of times across the globe between 1937 and 1976, but Universal Edition, the composer’s publishing house, knew that Helene Berg alone was standing in the way of this great opera being fully released to the public. So, they started secretly commissioning their own final version to be completed by Viennese composer Friedrich Cerha.

Well, you can kiss that source of tour stress goodbye! House shows are more favorable to touring musicians because the hours end up being a lot more friendly and respectful. Since most concert venues and clubs make money serving alcohol, it’s in their best interest to keep the crowds inside their doors for as long as possible. But since most houses have people living in them, shows tend to start around sundown and wrap up just a couple hours later.

With all of Logic’s inredible instruments, producers often rely on the sound of the samples right out of the box, here’s how to make them more interesting.

The great thing about recording to MIDI is that you can always go in and move notes or chords around by hand. So if the quantization makes some parts of your track sound wacky, just highlight whatever notes you want to edit, and drag them forward or backward in time. The same goes for correcting wrong notes — just drag them into the correct position and voila!

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TDR Nova is a parallel dynamic equalizer that actually covers a number of tasks: parametric equalization, side-chain compression, dynamic equalization, frequency selective compression, multi-band compression, and wide-band compression. Essentially, this is a Swiss Army knife EQ that can solve pretty much all of your home recording problems, whether it’s vocal sibilance, lack of drum bus weight, or overall master bus clarity. Trust me — you want this EQ.

I love whenever I get to talk about punk rock. Two people recommended I write about this performance, so I did a little research, and this is what I found (read a fuller synopsis here):

With all of Logic’s inredible instruments, producers often rely on the sound of the samples right out of the box, here’s how to make them more interesting.

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Although these tape echos where popular, they were incredibly fragile and prone to breaking down often. Roland sought to solve this problem with their RE-100 tape echo units. The solid construction and its user friendly interface quickly established the Roland RE-100 as industry standard. It was reliable, robust, and ready to be taken anywhere.